![]() If you find the flares too blue, you could also dial the saturation up or down using Premiere. I also appreciate the horizontal blue flare character of these lenses and didn’t find them too distracting (see the image of the cereal-eating parrot above). However, all the way open at T2.0 undoubtedly have a similar level of sharpness to vintage lenses I’ve used, and fans of retro lens design (all the rage right now) might feel right at home at T2.0 with a corresponding sharp digital sensor. Image Credit: Raindrop Agencyĭiving deeper into sharpness, I found that the settings between T2.8 and T5.6 were the sharpest for these lenses, and all the way open at T2.0 was a bit too soft for my taste. Low res still pulled from video with a quick 20-second grade away from Log. This reduction makes operating tricky, but external monitors can compensate for this by zooming or cropping in manually. It’s exactly what it sounds like – your Canon monitor suddenly displays an image a third of the size of normal. You could also set your Desqueeze ratio to 1.3x for using other types of glass like the considerably pricier Hawk Anamorphics.Īn odd quirk of the C500 MK II: when shooting in Slow & Fast mode (S&F for short), you need to navigate to “Desqueeze for S&F,” and the display will be reduced in size. Simply head over to the “Monitoring Setup” tab in the menu and navigate to “Anamorphic Desqueeze,” and then set your squeeze factor at 2.0x to match the Atlas Orion lenses. The Canon C500 MK II, in particular, is easy to set for anamorphic viewing. As for me, I feel a bit safer with either the Canon PL or locking EF mount. You’ll want lens support, mainly when using the standard click-in Canon EF mount. Just know that a rod and lens support system will be your friend with any of the six currently available Atlas Orion series primes, same story with the new Silver Edition series (more on the new lineup later). ![]() The series is also heavier in weight (the Orion 100mm tops out at 6.7 lbs/3 kg.) but with a comparable physical footprint of 4.15 lbs/1.9kg (T2.0 SIGMA 50-100 Cine zoom). The first thing you might notice about the Atlas Orion series is the physical size – substantially larger than the average spherical prime. Here’s a 10-minute snippet from the Anamorphic on a Budget channel: There’s great content about the history of anamorphic out there, and I encourage you to research the fascinating origin of this format. Any other hallmarks of anamorphic that I’ve missed? Let me know in the comments below! on our actors’ faces.Īnother hallmark of the “anamorphic look” is the ability to capture an out-of-focus background with a wider angle of lens when compared to spherical. This characteristic shouldn’t be seen as a drawback as we don’t need to see every. In general, anamorphic lenses tend not to be as tack sharp as their spherical lens equivalent, and I found that to be the case with the Atlas Orions too. While there’s an undeniable cinematic look to the wide-aspect ratios most associated with anamorphic shooting, and your particular project might lend itself to that stretched-out horizon, there are also unique optical qualities such as oval bokeh or vertical and horizontal flare characteristics we all know and love. Using the Atlas Orion lenses A-set with their 2X squeeze and a Canon C500 MK II shooting 5.9K Canon Raw Light, I shot a cereal commercial in San Diego and a yet-to-be-announced project in downtown Dallas (both during the day and night).Ĭanon C500 MK II + Orion Series Anamorphic in Dallas, TX. Since there are already plenty of shots of lens charts out there, my hope is this article will serve as part field test and part introduction to anamorphic for those getting started in this niche. ![]() Since 2019, a few other low-cost competitors, such as Sirui and Vazen, occupy a place several thousand dollars below the Atlas Orions. At $8.999, the Atlas Orion prime is affordable, at least when compared to the Master anamorphic series available on B&H for $48.000. At the time, we were seeing a surge in fast and affordable spherical lenses that cover full-frame, and Atlas Lens Co., on the anamorphic side, was ahead of the pack in terms of price point. Back in 2019, I caught a glimpse of the Atlas Orion anamorphic lenses and was immediately intrigued.
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